In keeping with its guiding principals and practices, the Cultural Center invites submissions from both emerging and established artists and from those with special needs and challenges.
With the exception of its Annual Members’ Exhibition in January, the exhibits it hosts are open to all.
The Center typically issues three or four calls for art submissions each year (though it hosts approximately 80 other exhibits through rentals and invitationals). Open calls are usually based on a theme of wide appeal. Most are juried by the directors. Submission fees, which help to defray expenses, are very reasonable. In some cases, they are waived.
The Cultural Center of Cape Cod invites artists worldwide to submit images to our online photography competition, BLACK & WHITE.
Deadline is Friday, April 20, 2018 at 11:59pm (MST)
All winners will be displayed in our online gallery at www.cultural-center.org First Place $500, Second Place $200, Third Place $100. The Cultural Center directors will jury.
Black and white photography can give a certain striking quality that you just don’t get through full color, it can open our imagination in a whole new way. It challenges our range of perception where we contemplate form and light in a different way than color ever could. We all could use a little black and white in our lives. Show us BLACK & WHITE through your perspective, any all methods of capture are welcome.
For a full prospectus, click here.
Entry for BLACK & WHITE is done through Cafe, a web-based service that allows artists to upload images and organize their artwork for submissions to galleries. To apply, you must leave our website and to to the Cafe website at www.callforentry.org where you can create a FREE artist account. You will add your details and upload your images to Cafe and then you can submit your work to BLACK & WHITE.
Cape-Wide High School Photo Competition
The Cultural Center of Cape Cod invites high school students across Cape Cod to submit images to our photography competition.
A full prospectus can be found here.
Up to $800 in awards. The show will be part of an exhibit at the Cultural Center from Wednesday, March 7 to Sunday, April 29, 2018 with a reception on Friday, March 9 from 5-7pm.
There is no entry fee. Up to 3 entries per student, up to two pieces may be chosen to hang in the galleries, e-mail entries to Amy at firstname.lastname@example.org
The Cultural Center of Cape Cod invites artists worldwide to submit images for our UPLIFTING ART 2018 elevator door competition. Three images will be selected, one for each elevator door in the Cultural Center’s Education Wing. The images, provided as high resolution digital files, will be reproduced on material to be affixed to the elevator doors for one year. The Cultural Center directors will jury. Deadline is Friday, May 4, 2018.
For a full prospectus, click here.
UPLIFTING ART 2016
Untitled, Katrin in Ashville Alleys by Christopher Brown, Bunny on Trampoline by Lisa Graf and Descent by Jackie Reeves
UPLIFTING ART 2017
Flight by Kelly Ferguson, Dalia 2 by Asako Iwasawa and Towering Phragmites by Ed Chesnovitch
After ten years, in order to strengthen the focus on WOMR’s Outermost Poetry Competition (in honor of our dear friend Joe Gouveia) and on our efforts to publish poetry collections through Bass River Press, we have decided to end our annual poetry competition. Thank you to the thousands of poets from across the nation who participated in our competition.
The Cultural Center would like to thank all who submitted work to the 2017 National and Regional Poetry Competition. There were many excellent poems from which our committee could choose only two:
2017 National Winner of the Cultural Center poetry Competition is John Blair of San Marcos, Texas, for The Law of Unintended Consequences.
2017 Regional Winner is Diane Hanna of Cotuit, Massachusetts, for A Spicy 2,200,000 Scoville Heat Units (SHU).
The winning poems are below.
National Runner Up:
Mary Ellen Bass Poulin of Carrabasset Valley, ME, for “And The Seasons, They Go” (Excerpt)
National Honorable Mentions:
Kateri Kosek of Sheffield, MA, for “I’d hoped to finish this poem before it came true”
Russ Madison of Woodbridge, CT, for “Scarecrows: Prelude to a Gone Farm”
Glenn Morazzini of Cumberland, ME, for “Elegy for Bobby Kennedy”
Janice Northerns of Liberal, KS, for “Crossroads”
Brittney Scott of Dewitt, VA, for “Not Swan, but Pigeon: A Love Story”
John Sibley Williams of Milwaukie, OR, for “We Can Make an Elegy of Anything”
Lucile Burt of South Wellfleet, MA, for “The End of an Ordinary Day”
Chuck Madansky of Brewster, MA, for “Bathe and Ruin”
John Blair’s work has appeared in Poetry, The Southern Review, Antioch Review, American Literature, The Georgia Review, The Sewanee Review, Shenandoah, Southern Poetry Review, Southern Humanities Review, Studies in the Novel and some three dozen other literary magazines and scholarly journals. He was won many awards, including the Drue Heinz Literature Prize, the Lena-Miles Wever Todd Poetry Prize, the Andrew Lytle Prize for Fiction, the Phoebe Winter Fiction Award, the Rumi Prize for Poetry , the St. Petersburg Review Prize in Poetry , the Tampa Review Prize in Poetry , the Florida Review Editors’ Prize in Poetry, the Tusculum Review Prize in Fiction, and the Dana Award in Poetry. Blair is a full professor at Texas State University, where he directs the undergraduate creative writing program and teaches American Literature.
The Law of Unintended Consequences
By John Blair
You have your unexpected benefit,
your unexpected drawback, and of course
the crowd favorite, perverse result, flitting
in last but never least on the powdered
wings of pointless butterflies. The Raj pays
for dead cobras in Dehli and people
breed cobras for pence in old chicken coops
and family kitchens. Ipso gets snake-bit
by facto, and when the Titanic sinks,
every ship gets new life-boats, and the Great
Lakes steamer Eastland, top-heavy with all
precaution, rolls at the dock and drowns eight-
hundred people on holiday. Perverse
perhaps just another way of saying
memento mori in a funny voice
with clown shoes on. You rolls the dice and you
takes your chances like they were pills of mouse
shit or any bad medicine that luck
passed your way and you don’t even ask what
for before you swallow and wait to see
what bang you’ve bought, how many ticks before
the cartoon starts. We’re the unintended
of some god’s loneliness and the raw scrape
of sin, or the first breath of accident
blowing up an ember. How could we have
been thought-through, with our bad habits and worse
intentions? One eye blind and the other
eye closed for business, or how else do you
explain it? What matters is that it is
as it was never meant to be, nihil
ad rem, and there’s nothing to be done but
relax into the random like good girls
and boys singing rain, rain, go away while
every root and stem drives thirsty into
the backs of the inconsolable fields.
Regional winner Diane Hanna is best known for her Story Pictures in which she combines words and images for poetic and emotional effect. She believes that party dresses and stompy shoes should be worn as often as possible. Her work has appeared in numerous publications. She is also the author of Say It Right (Starrhill Press, 2009), and A Book of Weather Clues (Starrhill Press, 1986).
A Spicy 2,200,000 Scoville Heat Units (SHU)
By Diane Hanna
I was a girl of the farmy lands
from a thick-stalked family of peasants,
familiar with root cellars and the eyes
of potatoes, cold linoleum,
smoke-stained wallpaper, The Reader’s Digest,
antimacassars, ashtrays, coal bins, casseroles,
What did I know of spice, save for tinned nutmeg
sprinkled in a made-from-scratch pumpkin pie cooling
on the window sill under the cherry tree, or paprika bland
as flour paste but pretty, fancying up a macaroni salad.
What did I know of poblanos, serranos, habeneros,
jalapenos, cayenne, rocotos, ghost peppers.
Anise, saffron, carry, wasabi, cumin, cardamom, tumeric
were as foreign to me as the sea, the girl who never minced
a garlic clove until she was twenty-three.
What did I know of spice?
What do I know now?
Only this: it is useful to know the names and the heat
of things so that words, when they come boiling like Vesuvio’s milk,
flaring like the breath of dragons, do not blister the tongue,
or set the fingertips on fire, scorch the bones, burn down
the flimsy walls of the heart.
Slice open a Carolina Reaper, one mean, demon
pepper, forget for one moment, touch your eyes, wait
for the blind tears to go on forever.
To submit a proposal to exhibit, perform, or teach at the Cultural Center, please scroll down.
The Cultural Center hosts upwards of 80 exhibits each year. Some feature submissions to local or national exhibits initiated by the Center. Most are hosted by individuals or groups of artists who rent one or more of the four available galleries. Occasionally, the Center will agree to an “invitational” exhibit by an artist or group. The Center makes every effort to schedule exhibits so that opening receptions for all participants align. To learn more about the galleries, please visit our Events and Exhibits page.
If you are interested in showing your work in one of our galleries, please send an email to Executive Director Robert Nash at email@example.com with the following information: preferred month/year, preferred gallery space (if known), number of weeks, artist(s) involved, medium, theme (if any), and contact information including a phone number and street address. Please also include a brief bio for each artist, a website (if one exists), and one or more jpegs of work that represents what you plan to exhibit. Mr. Nash will contact you for further information.
If you would prefer, you may click here to fill out a Gallery Proposal form.
The Cultural Center supports both emerging and established literary and performing artists with a wide variety of concerts, plus plays, readings, films, and other events. If you would like to perform or present at the Cultural Center, please send an email to Executive Director Robert Nash at firstname.lastname@example.org with the following information: type of performance/presentation, preferred dates, links to websites with examples of your work, a brief bio (or a link to one), and contact information including a phone number and street address. Mr. Nash will contact you for further information.
If you would prefer, click here to fill out a Event Proposal form.
The Cultural Center of Cape Cod offers a wide range of classes and workshops for all levels of art. Each class is presented by an artist who has extensive knowledge and skills in the subject he/she presents. All classes are limited to a certain number of attendees to maximize their learning experience… and yours. We offer instruction in visual art, culinary art, literary art, music and movement for people of all ages and abilities. If you are interested in teaching at the Cultural Center, click here to fill out an Instructor Proposal form.